The delightfully naive Dr Temperance Brennan (Emily Deschanel) continues to delight with her quirkiness. There’s no doubting Brennan is a character straight out of Tinseltown’s imagination. The talented forensic anthropologist, whose ability to decipher bone fragments borders on the supernatural, also moonlights as a crime novelist on the side. Of course. [More]
When it first premiered on the small screen, Grey’s Anatomy quickly set viewers’ hearts aflutter with its leading man Dr Derek “McDreamy” Shepherd (Patrick Dempsey). His ensuing romance with feisty intern Meredith Grey (Ellen Pompeo) produced a kind of white-hot chemistry that hooked audiences. [More]
Following a car accident, modern-day cop Sam Tyler (John Simm) wakes to find himself in 1973. Has Sam actually been transported into the past, or is it all in his mind? The first season of Life on Mars explored Sam’s sanity, but no real conclusion emerged. One thing is clear: whether it’s insanity or the laws of time keeping him in the ’70s, Sam wants to get back to the 21st century. [More]
What this aptly titled documentary alleges is that East Germans are far more progressive in the sexual arena than their Western counterparts. Once the mind stops baffling at why such a project would have been conceived and commissioned in the first place, the premise begins to intrigue. [More]
Aaron Pederson plays thirty-something lawyer Drew Ellis. In a bid to “find himself” Drew has left his comfortable existence in Perth to rough it in the Kimberley as a lawyer for the Aboriginal Legal Service. Cue self-reflection, self-discovery, and other existentialist malaise besides. [More]
Often panned by critics for representing a false sense of reality, The L Word isn’t as throwaway as it may seem. The stereotypical characters (and the attractive actresses that inhabit them) do detract from the show’s overall depth but, when it comes down to it, these protests are more politically motivated than anything else. [More]
When Showtime premiered Weeds way back in 2005, it quickly took the television world by storm. With its razor-sharp script and well-drawn characters, the dark comedy not only pushed the boundaries of TV, it aggressively toppled them. The show’s unapologetic approach to crafting a good story was what made it most attractive. With the passing of seasons the cable hit doesn’t show signs of backing down, continuing to surprise and engage. [More]
Henry Rollins on music, politics, and growing old.
It’s mid-morning and as we’re ushered along the halls, herded towards where our interviewee awaits, there’s a certain amount of trepidation. You see, the person that’s sitting beyond that hotel room door isn’t your typical celebrity. He’s Henry Rollins – a man famous (and frequently infamous) for his outspoken career in the spotlight. [More]
Brothers & Sisters is the kind of drama that’s watchable because it’s so well made. The dysfunctional family set-up is more laboured than shocking, and the script is standard at best. And yet, viewers find themselves tuning in… and staying. [More]
Penned by acclaimed writer Paul Abbott – whose past credits include Reckless and State of Play – Shameless is fast-paced, clever and endearingly off-beat. The series tracks the trials and tribulations of the Gallagher family, who reside on a Manchester council estate, and the antics that ensue are both wildly unpredictable and hilariously madcap. [More]
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